Pierre grew up in Far Rockaway, Queens. The area is known by locals as New York City's sixth borough because it is isolated from the heart of Queens, and this could be used as a metaphor for how Pierre felt within his surroundings as a child. “You grow up in the hood, you’re supposed to be somebody who’s already smoking, drinking, robbing. You’re mad nice in ball, or you’re mad nice at rap. There’s all these archetypes with growing up where I grew up at, and then you aren't really fitting in those molds. So I think that was probably my biggest obstacle, finding who I really am.”

He participated in some of the typical activities—attending church, playing ball, going to movies, going to parties—but he felt most at home when creating other worlds. “I would write little plays and perform it for my family members. … When I got into junior high school, high school, we had computers. Internet started being a thing. I would go online a lot, and playing video games also was very big in my development. At one point in time, I got so heavy into role-playing games. I discovered this program called RPG Maker, and then essentially I would just legit make my own RPG. My own stories. So it took the storytelling part that I did as a kid with writing these short plays into actually seeing them acted out using these characters in the video game.”

Pierre went to St Johns University to continue studying television and film with the intention of producing, but after graduating college, he noticed a shift in the industry and wanted to take advantage. “People were able to create short films or dope video content using DSLRs.” He had disposable cameras, and even some film cameras, growing up that he used to shoot his older sisters with, but he didn't start considering his relationship to the camera until this point.

So he used the money he saved from his 9-to-5 job AT AHRC to buy his first camera, a CANON EOS 7D. “It felt like the beginning of something actually. I feel like the whole time I was in college, it was just me getting used to even using these technical things, these visual tools. And then, me actually getting it was like, ‘Holy shit, I have it in my hands. Now I have the power to create this stuff.’ Before that, I really didn’t have that power. I was using my camera phone, or actually, I would even rent Panasonic DVX100s from this not-for-profit.”

It wasn’t until nine or 10 years ago that Pierre transitioned from shooting digitally to shooting with film: “I had a lot of homies who were into film, and they would tell me how shooting with film affects your thinking process. It’s a little bit more thought out than it is when you shoot digital. I’m like, ‘Alright, I kind of want to tap into that mentality.’ Take a step back. Not just be go, go, go, but be more thoughtful, more reserved. I feel like film was the first tool that gave me that sense.” 

He researched online, on eBay, for the right film camera to take the plunge with. Finally, he went to a store out of town and invested around $400 in a Fujifilm Klasse. The world opened up to him. “When I finally got my film developed, I was just like, ‘Damn.’ … That gap in time to get my finished product made me grow an appreciation for what I was shooting. The fact I knew it was less shots made me way more thought, way more careful with the shots I was taking. … I really connected with that process.”

Pierre has become more thoughtful not just with the footage he shoots but with the direction of his life’s work. “I hate to say I’m a person who is never satisfied because that holds a negative connotation, but I’m never satisfied in the sense that I’m not where my new goals are. I already reached my first goal, which was making this my career, which is a big goal for a lot of people. I don’t take it lightly. I’m here now, and I’m able to, like, survive off my camera. I’ve traveled the world because of my camera. But now, I’m here, I’ve done it for a bit, what’s next?”

It shouldn’t be surprising that the kid who loved writing plays and creating his own role-play video games grew into a man aspiring to make a motion picture with film. "It really shows when something is really good, it can stand the test of time. Some of the images I shoot on my medium format, I don’t think I could ever get on my digital. It’s not the same. It doesn’t have the same kind of soul or essence that the film has."

Whatever Pierre creates next, it will come from the heart. "The camera then was a tool to, at first, create, then it became a form of business and sustainability, and the camera now has become something that I use to create the things that I love as opposed to doing things that I have to do to make ends meet."

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Krissy describes growing up in Irvine, California as "Kind of hard". This is because the town is so academically orientated, "Everyone has the same goal and that's to go strait to a four year college". Her father was an engineer which allowed her to be introduced to the more technological aspects of her interests. At a young age, she was coding her own websites for early forms of social media like Neo-pets and Myspace. Her mother on the other hand "Loved video games". Which she believes was what began her interest for sitting behind a screen editing photographs.

Another perk to her parents was they always supported her interests and hobbies, although they still wanted to start small to see if it was just a phase. When she asked for Photoshop software as a Christmas present, they got her the most basic and cost effective option. "I felt a little limited but I loved it". At the age of thirteen she was taking pictures of all her friends in middle school.

"I would spend all weekend editing, I didn't have a social life at all". Insisting that "My best friend was my computer and my camera". Though she loved improving her craft, entering high school Krissy states: "I had to be realistic because that what everyone in Irvine was doing, being realistic". When it comes to her peers, the majority of them wanted to be engineers or doctors which made the self-doubt of creating such a career. Being the intelligent person she is, she wanted to understand what made her love photography so much. If it wasn't going to be what she did for a living, she was going to do something close. "I do love helping people, I do love talking to people, I love people in general. So I think I will be a therapist".

Recognizing that this wasn't going to be a teen phase, her Father bought her a Nikon, her first serious DSLR. This elevated it her passion for shooting her friends and editing the product. "I was horrible, it was okay though...I thought I was good" But she felt most rewarded when her friends would use her photographs as their profile pictures for their Facebook profiles. "I felt very happy with photography and how I could make others feel through my photos. It almost felt like I was being a therapist through a camera".

This is when she decided that this was going to be a career despite being daunted by the superiority of Los Angeles. She started small with weddings and senior portraits but it wasn't long before her talent and passion set her miles apart from the rest. During her senior year, Krissy took a workshop instructed by a successful fashion photographer where they were learning advanced lighting techniques. One of the tasks was to take a picture of the instructor using a reflector which she later enjoyed so much she posted it to her own instagram, which then lead her to ask Krissy if she wanted to intern for her. "It felt huge".

Quickly, she learned Instagram is more of a tool for brand development, more so than typical social media. From there she was shooting a lot for a popular Italian fashion labels but wasn't getting paid; "I didn't know better". Despite this she was gaining real experience and getting seen by real brands. Krissy was PacSun's very first social media photographer and from there she worked with Seventeen Magazine. "They asked me to shoot a spread for them". Which they were so impressed with they awarded her Photographer of the Year, then Teen Vogue was hitting her up to be interviewed, and from there; "It was a domino effect, I felt like I was on top of the world".

People began to grow curious as to why she wasn't shooting on film considering the aesthetic of her digital was so much like it. Although Krissy admits; "I was too lazy to learn for some reason, I don't know why I didn't want to push myself". This atypical behavior didn't last long though "I decided I was going to learn completely on my own but all my rolls were coming out blank". After looking at a few online tutorials she started to get some results but they weren't exactly what she wanted. Krissy decided to phone a friend that taught her the ways. "After I saw the finished product... I fell in love with film".

Nowadays Krissy shoots ninety percent on film, warming up brands on the idea of it as she moves forward with her career. "More people are getting employed because of film... I don't think it will ever replace digital but I think a lot of companies will go to film, and a lot of magazines and editorials will go to film which is really exciting".

Although Krissy's first film camera was a hand-me-down from a family friend, she recommends starting much like how her parents taught her - "Start with disposables to get a taste of film, then go to a point and shoot, and eventually to something like a Canon AE-1" She recommends purchasing these types at B&H, Amazon or eBay because "They will back you if something doesn't work".

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Growing up just outside San Diego in a suburb called Temecula, California, Will's childhood was centered around basketball and baseball. "Running from practice to practice... trying to keep myself entertained".

Creativity wasn't always sown into his fabric, it came later in life towards his early twenties. "I never really thought of photography as an outlet of expression or as a passion... or even knew anything about it".

This changed completely when he started interning for a magazine called High Snobiety. It was in its beginning stages, Will was their only correspondent on the west coast so they asked him to start covering a variety of events. ''That was my real introduction to photography as well as creativity as a whole". Never looking through a lens prior to this, something clicked in a major way.

Not long after mastering control over a digital camera, he made the switch to film. "I got a Canon AE1 and that was my first film camera".

"I enjoyed the process of learning how to work the camera and then I would go off and take photos for myself, randomly, whenever I felt the urge to", advancing to say; "More and more and more until it was eventually my occupation".

Curious at what provoked this Will claims; "Just trying to understand the craft and trying to go back to the origin of where digital had evolved from".

When it comes to choosing between film or digital? "It's more like a convenience thing, what's the task at hand? and when do I need it by? It's an apple and an orange"

As for Will's personal experience and the future with film, "I feel like it's the same ironically, I feel like it's just timeless. It's something that will never go away, it will never get old, or ever feel really that new. It's just going to be there, like water, literally just a part of life".

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